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· 631 ratings · 21 reviews
Start your review of Picture Theory and Criticism: Introductory Readings
True story: I got a D in my kickoff year film class 20 years agone, never studied whatever picture show production and somehow managed to become an award winning contained documentary filmmaker. 11 years after starting downward this career path I decided information technology was time to first brushing upward on the so called essential readings. My incredible dIrector of photography DID go to film school and gave me his 45 twelvemonth old copy of this book which supposedly is the go to theory and criticism. Film is not an fine art class that ages we True story: I got a D in my first twelvemonth flick class 20 years agone, never studied any motion picture production and somehow managed to become an honor winning independent documentary filmmaker. eleven years after starting downwards this career path I decided it was time to starting time brushing up on the so called essential readings. My incredible dIrector of photography DID get to moving picture schoolhouse and gave me his 45 year former copy of this book which supposedly is the get to theory and criticism. Film is not an art grade that ages well. Not simply does the equipment modify every few years, the expectations past audiences of aesthetics and storytelling does every bit well. And then written in the 70's means most of the book was tremendously outdated and irrelevant. It would be interesting to compare it to a recent edition. ...more than
I'm then ill of Lacan... I'yard then sick of Lacan... ...more
THE Constructed IMAGE AND ITS SUBJECTEvery bit evidenced by the numerous advances that have been made since the writing of this article, CGI is not "also perfect:" but "too make clean" for the film. Obviously, this is what Manovich meant, simply he conflates the definitions, and the definition of photorealism as relating to movie characteristics is, if more precise, not the same every bit the conventional definition used by other theorists that he argues against.
Regardless of that, exterior of film, the CG epitome is stil
THE Synthetic IMAGE AND ITS SubjectAs evidenced by the numerous advances that have been made since the writing of this commodity, CGI is not "too perfect:" but "likewise clean" for the film. Manifestly, this is what Manovich meant, but he conflates the definitions, and the definition of photorealism every bit relating to motion picture characteristics is, if more precise, not the aforementioned as the conventional definition used by other theorists that he argues confronting.
Regardless of that, outside of film, the CG image is however imperfect. Even if CG images were subject area to the flaws that are caused past the photographic camera (i.east. focus, grain), they would nonetheless appear unrealistic due to the quality of models, shadows, etc. Information technology's oversimplistic and sophistical to reduce the differences between CGI and live-activeness to but these filmic characteristics. Moreover, if animations, for instance, are "too perfect," that does non mean they are "perfect." They are imperfect because they are unrealistic. Manovich again exploits a definition: "perfect" has indeed been taken sometimes to mean defective in grisly, realistic detail—robotic—only this definition is non relevant to criticism.
...more than 
This is the book you need if you're going to study movie theory, it's not the only book you lot need, non past a long shot, but this should definitely be on your shelf. What more can I say?
I adopt this, the five/e, to the newer editions, but at that place are all the same some disquisitional essays missing.
Read for grad school Laura Mulvey rules.
Like many anthologies, a mixed pocketbook
Overnice diversity of essays, from many different time periods and different schools of thought. If you lot had to ain three books nearly pic, this would be one of them (Bordwell'southward book on narration and Stam'due south book on the history of Film Theory would be the others). Sure, there are "of import" moving picture theorists like Bazin that y'all should become to know, but its amend to identify all the major theoretical approaches before getting into one author. Nice variety of essays, from many different time periods and different schools of idea. If you lot had to own 3 books virtually motion picture, this would be 1 of them (Bordwell'due south volume on narration and Stam's volume on the history of Film Theory would be the others). Sure, there are "important" picture theorists similar Bazin that you should get to know, but its amend to identify all the major theoretical approaches before getting into one author. ...more than
Aaaaaaaah! Had to read this in my third yr at uni. I suppose it contains all the significant writings on moving-picture show from the final 100 years and writes IN DETAIL on all the changes and isms that film criticism has gone through. Doesn't mean that it's enjoyable. Aaaaaaaah! Had to read this in my 3rd yr at uni. I suppose it contains all the pregnant writings on moving-picture show from the last 100 years and writes IN Detail on all the changes and isms that film criticism has gone through. Doesn't mean that it's enjoyable. ...more
Everything you lot need to know to begin your journey into film theory.
To my knowledge, this volume contains an extensive number of seminal manufactures on film criticism.
Whenever I feel stupid about flick I crack this bad male child open.
Solid intro text, very diverse and informative
I took this class circa 1987-viii, then it'southward non this edition we read, but, maybe the 3rd edition. I took this grade circa 1987-8, so it's not this edition we read, but, maybe the 3rd edition. ...more than
Despite that fact I didn't really read much of information technology while really taking the class, I practice at present. So interesting to see what film actually does to us and what we do to film. Despite that fact I didn't actually read much of it while actually taking the class, I practise now. So interesting to see what film really does to u.s. and what we exercise to moving-picture show. ...more
Fantastic variety of essays collected hither.
An first-class anthology of must-read cloth from preeminent theorists and critics. It'due south been my bible for the terminal six months. An splendid anthology of must-read fabric from preeminent theorists and critics. It'south been my bible for the final six months. ...more than
Leo Braudy is among America's leading cultural historians and film critics. He currently is University Professor and Leo South. Bing Chair in English and American Literature at the Academy of Southern California. He lives in Los Angeles. Leo Braudy is among America'due south leading cultural historians and film critics. He currently is Academy Professor and Leo S. Bing Chair in English and American Literature at the Academy of Southern California. He lives in Los Angeles. ...more
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"Every art always deals with human beings, it is a homo manifestation and presents human beings. To paraphrase Marx: "The root of all art is human." When the film close-upwards strips the veil of our imperceptiveness and insensitivity from the hidden lilliputian things and shows us the face of objects, it still shows usa man, for what makes objects expressive are the human expressions projected on to them. The objects only reflect our ain selves, and this is what distinguished art from scientific knowledge (although even the latter is to a great extent subjectively determined). When we encounter the face epitome of things, nosotros do what the ancients did in creating gods in homo'due south image and breathing a human soul into them. The close-ups of the film are the creative instruments of this mighty visual anthropomorphism." — 0 likes
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